Archive Page 2

04
Feb
09

Winter Season Thoughts

Lately I’ve been a little slow on the intake of anime and such. I blame Ar tonelico 2 (best RPG ever, by the way) and general apathy and laziness. Anyway, of the stuff I’ve watched, much of it has turned out to be above average at best. I think. Older fall-season shows won’t be included. Just because.

Maria†Holic
Yuri-trap stuff with SHAFT-style comedy. I like this a lot more than I did Pani Poni Dash or Negima?!, even if the humor is more or less similar. It’s got the absurdness of SZS without the zillion references, making the humor a lot more understandable and accessible to a Japanese-culture-impaired person like me.

Akikan!
Oh my god, just two episodes are enough to make my eyes bleed AND cause brain tumors. Surprising that such a show came out from the same studio that did something so awesome as Baccano!.

Asu no Yoichi
Pretty so-so. It’s watchable, and each of the sisters is clearly (though stereotypically) different from each other. A few moments of chuckles here and there, but nothing outstanding. And the, as Aroduc coins, thouspeak does get on the nerves.

Minami-ke Okaeri
Definitely feels more Minami-ke than Okawari. The animation style and character designs have been changed to something more like the original show (teardrop mouths!). I’m still as dense as ever and I never really laugh at their jokes. Almost never.

RideBack
It’s too early for me to objectively talk about the show, but it does seem to have some promise. I don’t like the slightly messy hairstyle of the main character though, but that’s just my OMG ANIME HAIR SHOULD BE STRAIGHT impulse.

White Album
To be honest, I haven’t gotten to watching more than a single episode of the show. It feels like I really need a lot of energy to watch the show, because it’s internally tiring in ways I have yet to comprehend. On the one episode I actually did watch, it definitely has a different aura and air to it compared to almost ever eroge-adaptation anime I’ve seen; can’t quite explain it, but that’s how it is for me. Apparently, because it’s styled in the 80’s anime sort of fashion, and I haven’t really experienced much, if any at all, of those kinds of shows.

Sora Kake Girl
It’s a very… refreshing show. Very energetic and never really a dull moment. Jun Fukuyama doesn’t even bother with changing his voice anymore so Leopard sounds like Lelouch, albeit insane. ALI PROJECT OP aside, the show is very pleasant overall, but I can’t quite tell what direction the show’s trying to take. There’s action, and there’s comedy, and there’s some deeper stuff going on in the background, but looking at the show as a whole, it’s got a very positive, happy-go-lucky sort of flow that clashes with some other aspects.

Chrome-shelled Regios
I read a single volume of the translated manga and well, what I remember completely conflicts with what I’m seeing. The names, character designs, all seem familiar, but in a different setting. Anyway, the show’s not bad at all; lots of action, time set aside for character building and plot too. I’ll probably go with it all the way to the end to fulfill my need for a bit of action in my anime intake.

Kurokami
I thought the show was pretty good in its own right… before I read the manga. The liberties Sunrise has taken with the source material are clear as day, and frankly, it really nags at me. Sort of like how Konata referred to drama CD’s and anime having different voice actors. You know that they’re different media, but they still feel kind of different. I’ve yet to go much further than the second episode, but Kurokami is still quite a competent show.

Shoujo wo Miageru Sora no Hitomi ni Utsuru Sekai aka: Munto TV
First, what the blazes is Kyoto Animation doing with such a horribly long name. And why are they resurrecting a really old 2-part OVA by turning it into a series? I honestly have no clue. They seem to be paying less attention to the show compared to something like CLANNAD, however, as evident by the lower quality animation of Munto TV (in comparison to aforementioned show). It’s pretty bad though, from what I’ve seen – half an episode. Not really worth watching, except maybe just to see what KyoAni can do with its own original material.

Kemono no Souja Erin
Feels like a kids-y, Disney-y show. Almost all the kanji show have furigana, the narrator speaks in a clear, slow tone, and generally uses comparatively simple words. On the show itself, I can’t quite enjoy it all that much. I’ve never really enjoyed things like this normally, but I really would like to expand my horizons, broaden my palate, that sort of thing.
I should probably finish the second half of the first episode.

Hetalia Axis Powers
Episode 1: Wut.
Episode 2: Wut.

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26
Jan
09

Happy Chinese New Year!

just an obligatory post thing.

23
Jan
09

Quick C75 Games Writeup

9thNight – Es trial Beta

Pretty much the same as before. I can’t even tell whether or not there have been any significant changes. Not really worth getting again if you’ve played it before as the number of stages available (two) and the upgrades are still the same as before. There are no added weapons, stages, or whatnot; it feels somewhat different, but mostly minor changes like better graphics.

ASTRO PORT – 魔女ボーグメグリロ

The title, roughly translated, is Witch-borg Meglilo, which is, what she is. A witch cyborg named Meglilo. The game features, well, just that. Scenes before each stage are hilarious, even if you don’t understand the dialogue (because I sure don’t). The general preamble for each stage is that an alien does something bad (while Meglilo just watches on) – usually killing someone – and that is when she steps in and must punish the alien. As a shooting game, it doesn’t have any power-up items or even bombs. Instead, you pick up weapon pods for your left and right side, which include standard two-way, three-way, full-on spread shots, homing missiles, rotating energy balls, and even a giant sawblade. And yes, there is a big drill. As a replacement for a bomb ability, Meglilo is able to warp to any part of the screen, stopping time as you pick a location at your leisure. This allows you to easily dodge even the thickest of streams and most ridiculous of bullet patterns with a simple push of the button, as well as letting you navigate some maps that are otherwise impossible to pass through (ie: stage 5). This ability of course, is limited to the gauge on the left of the screen; while in timestop mode, the gauge is drained until you pick a warp destination, and mind you, the gauge refills quite slowly, so you’ll need to be prudent with your warping. MajoMegu also features different costumes for Meglilo, though whether or not they make a difference in handling or in the game is yet to be determined. The lighthearted, and yet often morbid story, combined with the bright pastel colors and cheerful music, give the impression of a gentle pick-up-and-play game, which this game certainly is.

EasyGameStation – 特急天使

EasyGameStation has a knack for making awfully creative games. By taking a relatively mundane activity – delivering stuff – and putting a twist on it, EGS creates a game with incredible replay and multiplay potential.
Tokkyu Tenshi – what I like to call Special Express Angels – is basically a footrace, complete with laps and finish lines. Gameplay, that is to say, the game’s basic objectives, are simple. For single player play, make it through a specific number of laps within the time limit. Nothing too special. Get to multiplayer however, and it gets a whole lot more fun. And chaotic. Instead of focusing on who gets to the finish first, it’s a point collection frenzy with the race for the finish put away as a second priority. Basically, get as many points as possible, lose as few as possible, and make it through to the finish. Gathering jewels and taking out enemies nets you points. Tripping or falling and getting left behind make you lose points. Awfully simple, but throw in a plethora of weirdly uniquely designed courses, lots and lots of traps, enemies, and whole assortment of items and well, you’ve got pure chaos just waiting to happen. Tricky maps willed with jumps, branching paths, and false roads demand foreknowledge of the courses. Spiked floors, falling boulders, supportless platforms, and other obstacles will mercilessly pummel those whose skills aren’t good enough; even enemies will constantly swarm the map, waiting for the next player careless enough to stumble onto them. And the items. You have carrots which give you an instant dash, through solid walls and objects. Magnets which collect all visible jewels automatically. Bombs that… blow stuff up. And let’s not forget EGS’s giant spinning fish.
In theory, multiplayer would be quite the sight, with up to four players knocking each other around the map senseless and explosions and screaming everywhere. I say “in theory” because I’ve never actually had the chance to play with other people and thus, have never tried the multiplay function, and I doubt I ever will, given that no one else here shares such… interests. Single player unfortunately isn’t very non-Japanese-literate-friendly because even though the game has multiple possible endings, not being able to read the dialogue makes the entire point moot.
There also seems to be some costume unlockables, but I haven’t played the game enough to be able to get any.
Tokkyu Tenshi would probably be a great multiplayer game for any occasion, but playing it solo is likely to get boring rather quickly.

erka:es – RosenKreuzStilette FreudenStachel Trial

I probably would’ve glazed over this game if Trancehime hadn’t made a note of it (and thus, I made a note of it) when I went to his place. The best way to describe this game, in a single word, is, “Moegaman”. Yes, I made that up. Of the few Megaman X games I’ve played (only partially as a passing interest), though, they don’t even come close to this game’s difficulty level. Slippery floors, pitfalls, the traditional spikes, lava, moving platforms, this game has it all. All within two minutes of each other. In other words, each level in peppered with death traps that would send any beginner into his doom (ie: me). A little bit of research shows that this game is actually a sequel to erka:es’s previous game, RosenKreuzStilette. I’ve had the good fortune to play it, having just recently acquired it, and it plays much like, well, a Megaman clone. Usual buster and charge shot, and so on. There’s a marked difference in level design however. A number of stages in RKS are awfully bland; very “safe” designs. RKS FS takes those and improves them by adding interesting changes such as Liebea’s stage having wind outside of the tower, or Zorne’s stage taking disappearing blocks to an entirely different level altogether, making the level design even more imaginative and challenging than its predecessor.
Judging from the reactions from some fans, the game’s level design is indeed notably harder compared to RosenKreuzStilette’s designs, though there are a number of rather cheap traps that require particular tricks to get through. Grolla’s stage, in particular, is much, much harder than before. Enemies located on slippery areas rapidly spawn to hit you mid-jump and make you fall into pits. A lot of stages involve memorization of layout and nailing some clever tricks and maneuvering through some of the harder areas, and you might as well memorize how to “edge-jump” off platforms as jumping just a fraction of a second too early will get you killed. A lot. But perhaps all of this is inevitable for such a doujin game, more centered on the tougher, older Megaman series, rather than the gentler X series of late, targetted at such a hardcore audience of Japanese gamers.
With such level and character designs, and a rather interesting-seeming story, RosenKreuzStilette FreudenStachel, is, after all the frustrations and hardships, a pretty good game.

23
Jan
09

Alter 1/7 Yagami Hayate GET


I still need a larger Nanoha; anyone in the Philippines willing to sell? 😀

I actually got her yesterday over at WasabiToys right after school, but I was too tired to make a post about it all. When I got to the store, I went straight to the counter and asked, “I’d like to claim a pre-order I have a downpayment on.” I fished my little receipt for verification and got the go signal. I picked up the figure, paid my dues, put down a reservation for a Fate figma, and went on my merry way.


You could probably fit a little kid in Hayate’s box.

Except, I had an over-half-cubic-meter box with me. Seriously. Some people said the box was “big”, and, like I did with Fate, assumed that the box would merely be “big”, and, going by those standards, in comparison, Hayate’s box is the size of a small African country. Dimensions are W 27.5 H 38.5 L 46.5, compared to Fate’s W 24.5 H 29.5 L 40.5.
I salute the two others who ordered their own (I saw three boxes in total) because they will most definitely be getting their 5,500 PHP worth. I’m still wishing for Exelica, albeit 9 months late, to arrive, however.

Sure feels weird to have a big Rein and small Rein though. Small small boss! ❤

Edit: whoops; messed up image URL’s.

08
Jan
09

Saya no Uta Review

title

You, Sakisaka Fuminori, were caught in an accident which killed your parents and left you near death, but thanks to the marvels of neurosurgery, you have been rescued from your limbo in the border of life and death and now function as a perfectly normal member of society. Well, perfectly normal, except for one small flaw – your senses have been distorted beyond repair. Because of some cognitive disorder that probably had been brought upon by the neurosurgery, you perceive the world around you as “broken”. The formerly clean, pure, whitewashed walls of the hospital you stayed in are now bloody slabs of flesh and entrails. The once fragrant scent of flowers has now morphed into an indisputably rotten, vile stench. And people have now turned into monstrous blobs of flesh and goo, speaking in words entirely unknown to you. Just as all hope was forever lost, you encounter a mysterious girl named Saya. She is the only one, among the thousands, millions of people, whom you perceive as human. Determined to live on, you push forward, with Saya as your new partner. However, things don’t turn out to be as simple as you’d want them to be.

Continue reading ‘Saya no Uta Review’

06
Jan
09

On the Merits of Anime Blogging

Why do I blog? What keeps me going? I’ve asked myself those questions whenever I went on hiatus (often) and I don’t think I’ve quite yet answered those questions.

Ultimately, I’ve narrowed it down to three main factors: expression, reflection, and interaction.

Expression. This is pretty much what blogs are all about: expressing what’s on your mind, be it about symbolism and shinboism, about how wonderful the world is, or whatever else comes to mind. Because the blog, unlike say, a review site, is a lot more informal in terms of style, yet it maintains some proffesionalism that what you say is clearly distinguishable from oh, a forum post. Furthermore, because of the free nature of the medium, you can post whatever you damn well please, as Sankaku Complex demonstrates quite clearly. The blog is a burgeoning new form of medium that allows anyone to have a say, and now is a great time to be part of it.

Reflection. I like how blogs provide a venue for you to mull over things. In Real Life™, anime has virtually no place in more serious circles of society, leaving few chances for us to be able to think over that last episode in that certain anime, or the lines of our favorite characters. Blogs give us the opportunity to ponder all we like about that, and further encourage us to continue doing it.

Interaction. This is really what makes web 2.0, web 2.0. With the advent of all these social networking sites, user-controlled data, consumer-generated media, and all that jazz, interaction has really become one of the core components of the internet today. To bloggers, this means feeds, aggregators, and basically sharing the love. And let’s face it: there’s a lot of love to share.

01
Jan
09

Auguri, Buon Anno!


Unfortunately I can’t find any fireworks-y thing, so a temple visit is the next best thing.




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